They're filming a movie outside my window. Not just any movie, but a Meg Ryan-Eva Mendez-Annette Bening movie, possibly the chickiest chick flick ever. It's called The Women and it's a remake/update of a comedy by the same name from 1939. The original boasted a cast comprised entirely of women, even the extras. This one seems to be taking the same approach, since the street is filled with female extras walking back and forth with shopping bags. Other than them, so far all I see are catering trucks and orange traffic cones.
Ah, here we go. They've started filming. Are you ready for some steamy pictures of Eva Mendez? Well, she filmed her scenes yesterday and I didn't have my camera then. Yeah, sorry. But how about some grainy pictures of Meg Ryan? And also Annette Bening's calves? I know I am. Ready, I mean.
The first scene they shot today was of Meg and Annette walking towards Brooks Bros., which is at the other end of the street from where I work, so they were never facing my direction. But I got a cool shot of the boom mike guy.
Meg walked back to her mark with the director, but Annette disappeared forever and from then on it was all Meg Ryan, all the time.
Just before lunch, they wrapped on that end of the street and came down to our section to shoot in front of Burberry.
Here's a particularly grainy one of Meg doing "The Meg Ryan Face." As you can see, it's much perkier and America's Sweathearty than The Nicolas Cage Face.
And what's this? Why it's our very own Mr. Schprock, with Daughter Number Two, being pointed away from filming by a guy with an orange flag while on their way to buy DN2 a new bike. Fortunately, they were cooperative and the man's flag remained holstered in his backback. It was a close call, though.
I don't know who this random hot chick is, but she was walking around the set with the crew all day. She was standing on a mark for quite a while, but I think it's the same place Meg was standing on, so maybe she's a stand in? Or she's an up-and-coming CW star prominently featured in the movie and I'm an idiot. Whatever, I dig her Snoopy T-shirt.
Okay, so the scene they're filming over on our end of the street is Meg Ryan trying to hail a taxi. The weird thing is, they're using three yellow taxis, but almost all of the cabs in Boston are white. First I thought, "Well taxis in movies are always yellow, so maybe they used yellow ones so people out in the sticks could easily identify the vehicle as a taxi." But when you look up close, the taxis actually have New York plates and say "N.Y.C. Taxi" on the side. That just raises even more questions. Why are they trying to pass Newbury Street off as New York? I'm sure New York would have let them film there if they asked nicely.
So I guess this scene takes place in New York, at the corner of Newbury and Arlington Streets right across from the Boston Public Garden. Isn't that where they do the Today Show? Anyway, Meg is trying to catch a cab, presumably to get to some famous Manhattan landmark, like the John Hancock Tower or Fenway Park. The first cab zips right by her. The second follows suite. But the third one, oh, hold on...
SPOILER ALERT!!!
The third one pulls up, she talks to the driver, and it drives away without her. Rude New Yorkers.
In-between takes, Meg stood and spoke with the director. At one point, she did this weird thing where she squatted down and did like a jazz hands thing. Don't worry, that mysterious brown cloud seemingly emitting from Ms. Ryan's rear is actually just the blurred edge of the concrete wall of my building.
The squatting like a crazy person thing didn't make much sense, until the third cab pulled up on the next take and she did the squatting thing next to the driver's window. "Oh, I get it, she's pleading with the driver to let her in." What I saw earlier was the creative process in action. Someone, either the actress or the director, suggested that for the next take she should be desperately pleading in front of the cab. And then they did, and the rest is movie history.
Each time they did the scene, the three taxis had to be returned to their positions by driving backwards down the street, and all the extras had to get back to their marks. There was a bunch of pink tape strips on the sidewalk to indicate that's where people stand, or where the taxi stops. They did four takes of the taxi scene and then packed everything up.
Well, even though it's not a movie I'd ever see on purpose, it was still cool to get a first hand view of the process. And if the squat scene makes it into the final film, I can always say I actually witnessed it's inception. And I will always say it. Incessantly, in front of anyone I know for the rest of my life.
Labels: Boston, movie, photos, work
